Teaching angst subsides with a new approach

            Part One: The Problem.
            Toward the end of last year, I was
missing some of the thoughtfulness that my credentialing program had infused
into my teaching. I craved a more intentional approach and some backwards
planning. Not only that, I didn’t get a sense that my students were engaged in
reading and writing as much as I’d hoped. I think English teachers in general try
to solve the problem of students who “fake read.” (It hurts when students don’t
LOVE books the way we do!) English teachers also regularly reevaluate how to
teach writing effectively.
            Time is a factor. Most teachers
would agree that students simply need to read more and write more, but that we don’t have unlimited time to
read in class or to collect and grade a constant flow of material if we want to
give meaningful feedback.  We also find
that once there is a letter grade on an essay, written feedback is not as relevant
to the student; therefore, it is not as effective. Ideally, students should
receive feedback on multiple drafts before they receive a final grade. (Some educators
argue that the process ought to count for part of the grade because isn’t
process more important than product?)
            I used to be an editor, and I came
to grading essays with an editor’s mindset. I thought it was my duty to circle
every single mistake. Of course, now I know how demoralizing it can be for a
student to work hard on articulating her ideas, only to have them thrown back
at her, all torn apart. But with each year of teaching experience, I’ve noticed
that I feel far more energized and effective when I meet with students on an
individual level. I’ve also noticed that the most effective time to meet with
them is not when they are “finished” (can you ever be finished with an essay
you’ve had less than two weeks to write?).
            Rather, if I conference when their
ideas are in development, I can help them find their passion on the topic. And,
when they feel strongly about their thesis, they will take more care with their
craft. A little further along into the drafting phase, if I have time to meet
with students again, I can convey customized grammar lessons, pass on
compliments, encourage engagement, and have a conversation about writing. I think it’s a more positive experience all around.
            Last year I felt stuck in a loop of
collecting essays, spending inordinate amounts of time marking them up, and
dreading the next stack of hollow arguments, especially when errors were
repeated. I tried grading on Turnitin.com to see if I could go faster and offer
more pointed feedback. I tried various rubrics and checklists. I tried asking
students to process my feedback and reflect on it. I tried giving them revision
opportunities. Still, I found myself crunched and wishing that the whole thing
seemed less chore-like (for both me and my students). Even more critically, I
found students wanted me to do the thinking for them: All they had to do was
implement my edits and receive a better grade.
            Then, I saw an advertisement for a
new book. It’s called 180 Days: Two
Teachers and the Quest to Engage and Empower Adolescents
by Kelly Gallagher
and Penny Kittle (Heinemann). The
book is part creed (the authors make a case for ten “we believe” statements
about teaching and learning), part detailed description of how they structure
their year around those core beliefs. The authors’ philosophy resonated with me,
and its practical, organized approach to planning curriculum with the purpose
of creating engaged readers and writers, spoke to my angst and need for
direction.
            I read it—and annotated it!—over the
summer, and what resulted was a major overhaul to several of my approaches. I plan
to blog about my changed approach as the school year progresses, both my successes
and challenges. Stay tuned.

             

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