Student Work Published on KQED Website

Just before break, sophomore English classes participated in KQED’s Media Challenge: “Rethink School with MindShift”. The project required students to write an argumentative commentary for a two-minute video or oral presentation on the topic of how we could reimagine school.

The most popular topics in my classes were: uniforms, school start times, homework load, and self-paced math.

While students were encouraged to publish their videos to the KQED Youth Media Showcase, so far I’ve only had one student submit her video. And it’s fantastic. I’m so proud of Annabelle Chung for representing Carondelet on this national platform. 

To learn more about the challenge, and other KQED Youth Media Challenges, go here.


Reconnecting With a Teacher From My Past

 

As to be expected, AP Literature is heavily focused on literary analysis. And by the end of the first semester, I had a hunch my students needed a breather. So where do you think I turned for inspiration?

To the ENGLISH tab of my 1992-93 high school binder, of course. Yes, I’ve held onto that handy resource, and it has helped me more than once.

This time around, I pulled out a memorable exercise and adapted it for FlipGrid. Students had to list three favorite “sensory details” for each of the five senses, plus a sixth category, an “all around good feeling.” I shared from my own 28-year-old list in a video and presented them with the challenge.

Wow. So delightfully refreshing. It filled me with good feelings for my students and reminded me what it’s like to be 17 or 18. One student described “the sound of opening a new can of tennis balls” and another held up her hands with crooked fingers to show the “all-around good feeling” she experiences when someone grabs onto a chain link fence.

Resurrecting my old list, complete with comments and a sticker from my teacher, put me in a sentimental mood. I wanted to tell her how much she meant to me. I majored in English and became a teacher in part because of her. I don’t so much remember the lessons and lectures and insights about novels that I learned as I remember how I felt in her class. Mrs. Baron treated us with respect. She wanted to know who we were and what we thought. She delighted in her students and supported our becoming young adults by giving us the space to express ourselves and make mistakes. She made me feel interesting and valued. I recall lots of laughter and bonding with my classmates. Her classroom was a special space during a transformative time.

I don’t know why it took me so long to tell her all of this. Perhaps that’s just part of the loveliness of being a self-involved teenager and young adult. And then I didn’t become a teacher for the first 20 years after college.

But the time seemed right over Christmas break, and thanks to the internet I found her. We Zoomed this morning (yay for Zoom!). Anticipation had me emotional for a week. Gratitude, sentimentality, a sense of coming full circle: to be teaching AP Lit now (with three of the same texts on the syllabus) … well, it’s simply a blessing beyond words.

Christine Baron is just as I remembered her. Just as other-centering and gracious. Just as supportive, spirited, and wonderful. She is the type of teacher I want to be. And lucky me, she has offered to stay in touch.

Perhaps with regular contact, I will be able to do more than replicate her assignments. I hope to channel Mrs. Baron’s love and delight. To not lose sight of the preciousness of each of the young people who come into my care on their way to adulthood.

Talking It Out

   

     I want to talk about my junior final. Tiz, Jeff and I just concluded a short, three-week unit to finish up the semester. We wanted to end the year with an SEL based unit, so we exposed students to literature loosely based on the theme of self-love. Over the course of the last couple of weeks, students read and analyzed various poems and pieces of literature. They practiced annotating and discussing how these types of shorter works are created, so there was heavy emphasis on writer’s craft/literary devices during class lessons.
     I’m really happy with the writing they produced for the final, and I think that one reason the writing is decent is because of the process they were required to work through. Over the course of the last three weeks, students practiced this process several times. That helped. On the day of the final, students were introduced to two brand-new pieces of literature. Together we read through them; they had pencil in hand. Then, students had to quickly choose which piece of literature they were going to work through for their final writing piece. Once students chose which text they liked, they had about 6 minutes to annotate it by themselves. After that, each student had to find a peer, who chose the same piece of literature, and they discussed each other’s annotations/ideas. I think this is such a valuable step in the process; Tiz and I discussed how our best ideas often come from talking it out. After their talking time, they wrote. Once all the prewriting steps were completed, students had about an hour to write for the final.
      I’m now grading these writing pieces, and they’re not bad. Students are talking about the tone of literature and how that tone was created. I’ve found that students were mostly successful in articulating these in a clear and concise fashion. I’m happy. Really, I feel like I won just getting 16/17 year olds to write for an hour, not on SnapChat.

Get 5% Better Each Year–What a Relief!

Many of you are aware that I’ve been trying to follow 180 Days by Kelly Gallagher and Penny Kittle. Recently, I attended a day-long workshop by the pair, and they ended with the reminder that we can’t adopt their whole practice at once, but if we can try to get 5% better each year, that will be progress.

Good for me to hear, because at times this year, I felt the authors would be disappointed in me if they knew I had let some things drop. I still have to work against a tendency to see where my practices fell short of the gold standard in 180 Days.

Which prompted me to go back to my notes from last summer. I had jotted down a page of my favorite ideas from the book, the ones I would most want to adopt:

  1. Quickwrites with mentor texts
  2. Write in front of the students
  3. 10-minute reading time at the beginning of class
  4. Have students write more volume but I grade less
  5. Try using criteria instead of rubrics
  6. Get students talking every day
  7. Choice in research
  8. Portfolio grade at the end

Of those eight favorites, I incorporated seven into my teaching practice this year. Woo hoo! Some of the daily activities such as quickwrites and reading didn’t happen every day, but an overall tone was established in my classroom that you are a reader and writer. At the moment, I have stacks of student notebooks on my desk. The volume of their writing makes me so proud of my students. I rarely collected notebooks and gave out nominal points for them. Yet even yesterday, they were writing book reviews and ranking all the books they’d read this year from easiest to hardest.

So yes, more volume and less grading on my part. I also tried out all sorts of single-point rubrics, criteria lists, and other ways to assess, and I tried out methods to reduce my grading time and to get them writing more. (Most recently, students wrote four drafts for a single essay and instead of grading each draft, I graded their overall process + metacognitive comments. More volume, less grading!)

I didn’t get to the portfolio at the end, and I was wisely advised to hold off on that. But I did use a new system of organizing student work in shared Google folders so that by the end of the year, they essentially did have a portfolio. They spent a couple days this week looking back over all their work to reflect on how far they’d come. Next year, I will have a better idea of how to lay the groundwork for a true portfolio project.

The good news is that I have a ton of experience to build on, plus a stack of teacher books to delve into, so that I can refine these wins and improve for next year. I have to fight my perfectionism in order to type this final line: I am proud of my progress.

Instructing Real Audiences on Slime & Somersaults

English
teachers
more
and
more
look
for
authentic
audiences
for
student
writing.
Ive
made
that
one
of
my
endeavors
this
year.
My
students
have
done
a
couple
of
assignments
where
their
audience
is
the
entire
sophomore
class
(
FlipGrid
videos,
and
the
“100-
Word
Memoirs” published to Google Sites which I blogged about already).
I
saw
more
excitement
generated
when
they
were
producing
for
their
peers
instead
of
for
me. I was excited to find another avenue for widening the audience further.
Last
quarter,
my
sophomore
honors
classes
did
some
instructional
writing.
Id
read
an
article
in
the
January
2018 
English Journal by
teacher
Sarah
K.
Gunning
who
argues,
Whether
students
consider
themselves
to
be
writers
or
not,
they
are
affected
by
the
way
directions
are
written
and
interpreted.”
I
adopted
Gunnings
lesson
plan,
which
started
as
an
inquiry
into
students
own
experiences
with
training
and
instructional
manuals
for
their
jobs.
I
reinforced
Gunnings
point
that
writing
affects
everyones
career
so
being
able
to
write
instructions
is
an
important
skill
to
learn.
We
used
a
website
called
Instructables.com
where
anyone
can
post
an
instruction
set
with
photos.
Students
had
to
decide
what
talent
or
skill
they
wanted
to
teach
in
written
steps:
some
chose
easy
recipes,
others
demonstrated
origami,
drawing,
friendship
bracelets,
or
colorful
slime.
One
student
wrote
instructions
about
how
to
do
a
somersault.

But
first,
they
had
to
create
an
imaginary
profile
of
their
target
audience
to
ground
themselves
while
writing
their
directions.
Their
profile
helped
them
decide
what
sort
of
safety
warnings
might
need
to
be
included,
and
the
appropriate
level
of
detail
including
photos
to
include
in
each
step.
After
creating
their
draft
instruction
sets,
students
had
to
perform
usability
testing
by
watching
a
friend
or
family
member
follow
their
instructionswithout
intervening.
They
took
observation
notes
about
where
their
instruction
sets
would
need
adjustment
based
on
the
success
or
failure
of
the
test
subject.
Usability
testing
served
as
reallife
qualitative
feedback.
The
beauty
was
that
once
I
set
the
project
in
motion,
I
was
not
the
expert
handing
out
feedback.
As
Gunning
states,
Removing
the
teacher
from
the
evaluation
aspect  may increase a students vision of value for what an audience brings to the writing process.”
Finally,
students
published
their
instruction
sets
on
the
Instructables
website
and
awaited
comments
and
likes
and
page
views,
which
provide
exciting
quantitative
feedback
as
Gunning
points
out.
The
only
snag
in
this
whole
project
was
that
Instrutables.com
may
not
be
robust
enough
to
handle
a
rush
of
71
student
users!
We
had
some
technical
issues
for
some
students
who
found
it
to
be
more
timeconsuming
and
frustrating
to
publish
than
Id
wanted.
Overall,
they
enjoyed
the
project.
My
evaluation
was
tied
to
a
reflective
piece
where
students
described
how
usability
testing
affected
their
final
instruction
set
and
asked
what
they
learned
about
instructional
writing
from
the
process.
Said
one
sophomore,
Having the audience shift from just a teacher to anyone in the world changed the way I wrote instructions because with writing to a teacher you know exactly who the audience is. With this project, it is important to write instructions that a variety of people could follow along with, because you dont know who will view your project. …
I have learned that instructional writing is harder than it looks. When you cant point to or show the person what exactly to do, you are forced to rely on descriptive and precise wording to explain what to do.”

Vaping in the Back 40s?

I’m teaching my sophomores how to read infographics and
other informational texts and kicked off the unit today with a look at the
following infographic on vaping:
The infographic brought about some important discussions I
overheard and also participated in with smaller groups. We talked about how
Northgate High School has a huge problem with vaping and is trying to crack
down. Students here said they don’t see it as much of a problem.
Some interesting takeaways:
·     
“We have uniforms and so we try to rebel with
those and then we don’t go so far as to rebel with vaping”
·     
“People will probably go over to DLS to vape …
the girls’ restrooms there are not monitored at all”
·     
“Or the Back 40s”
·     
“No one here has ever had a conversation with me
like, ‘Don’t vape.’”
Students asked me what I would do if I caught someone …
would I tell them to put it away or would I confiscate it? I didn’t have an
answer. I would probably run to check with Caitlyn!
As a
parent, I was to assume my kids won’t vape. As a teacher at Carondelet, I want
to assume my students won’t vape. But that’s not realistic. Perhaps we have a policy or a protocol I am unaware of. Do you think we
need to have more schoolwide efforts to address this issue?

This one is not about teaching

I did something uncharacteristic over Christmas break: I
made sure my actions were in accord with my priorities. My priority this year
came from a great need to slow down and be present to my family. Typically, I
put my family off and fill all available time with grading and planning—because
there is always more that could be done. And I LOVE my work!
However, by the end of the semester I was starting to feel a
little bit crabby about grading and about students. I knew I needed time away
from it to recharge my spirit. So, I compartmentalized school-related work to grading
finals at the beginning and left everything else for this week.
I’ve learned from colleagues that I can trust I will find
ample time to keep up with lesson planning; I don’t need to figure out months
of curriculum all at once. In fact, that is often a waste of time as the class
evolves differently from what I expect. There needs to be room to meet the
students where they are and adjust to each unique class.
Meanwhile, I simply wanted to be available for my kids and my
visiting mom. I set up a 1500-piece puzzle on a card table in the family room. I
made a list of possible things to watch or do, such as baking, but I didn’t
hold to it like an agenda. I set a tone for myself and stuck with it. I
remained open to what each day presented.
Wow. What a difference. And what joy to see various family
members and friends take a turn at the puzzle. To play cards and just chat with
my mom. To binge an Amazon show with my daughter. To take a family trip to
Monterey and discover a wonderful little tea shop. To hike at Lands End on New
Year’s Day. I’d never done that, and it was stunning.

Over break, I almost finished two books: one about—serendipitously–parenting
in the present moment and the other, a popular Young Adult title. I laughed a
lot. I made sure to prepare my kids’ favorite breakfast casserole on Christmas
morning. I volunteered last minute to host Christmas dinner and didn’t stress
(thanks to paper plates and food contributions from many).
I saw nieces and nephews. I had lunch with my brother. I
learned a new board game. I visited a museum for an exhibit I’d been wanting to
see.

And
when ideas popped into my head for the first week of school, I took some quick
notes in my phone and moved on. I feel recharged and ready!

Sophomores Publish 100-Word Memoirs

Earlier this year, all of my students were challenged to
write a memoir in exactly 100 words. No more, no less. I was so proud of their
efforts and practice in the economy of language, so I wanted to “publish” them
in some way. I used Google Sites and I’m happy with the uniformity of layout.
Please visit our site here: https://goo.gl/oXxCYK
You’ll notice two posts of my own. This year, inspired by 180 Days (Kittle and Gallagher), I’ve
tried to write in front of my students. For this assignment, I projected my
drafts in class and asked for student feedback on how to cut my memoirs down to
100 words without losing the central essence of my message. They loved advising
me.
Hope you enjoy their creative writing.

More Writing, Less Grading—it’s true!

            I want
students to write more, but I want to grade less. It just so happens I found an
avenue to make this happen.
            For five
weeks in a row, I’ve had my sophomores spend the first half of block writing
about a selected passage from Jane Eyre.
During the second half of block, they use a single-point rubric to peer edit in
a round-robin fashion.
            After that,
each student decides which essay she would want to turn in for a grade. I
collect the “keepers” but I don’t grade them. The next week, after another
timed write and round of peer editing, I pass the keepers back out. Once again,
students choose between the essay they wrote today and the keeper from last
week. I collect the keepers again, and so on. It reminds me of being at the eye
doctor: “Which one is better? 1 or 2? Better here … or here?”
            Today is
the last week, and at the end of the day, I will have a stack of keepers to
grade. They will have written five in-class essays and I only have to grade
one.
            Here are some
of the benefits:
  • Students do not receive a letter
    grade until the final one, so they have to look beyond “the bottom line” and
    actually think about how they are doing
  • Students engage regularly with
    the rubric to better understand how to write well
  • Students learn to rely on their
    peers for feedback instead of seeing the teacher as the only expert in the room
  • Students rely on their instincts
    and self-evaluative skills—they take ownership of their writing
  • Each week is another opportunity
    to out-do the last keeper, so students are motivated to do their best each time
    (you should see them scribbling away!)
  • If a student misses class or has
    a bad day, she knows she will have four other opportunities, so it takes the
    stress level down
  • In-class, handwritten writing reduces
    cheating
  • It’s great for formative assessment:
    I can quickly read through the stack of keepers and intervene individually for
    comprehension gaps or writing skill gaps
  • Students are compelled to
    consider key passages from Jane Eyre
    that they may have glossed over in their reading
  • Students have choice in which of
    their essays receives a grade
  • Students practice a type of
    passage study they will see on the SAT and AP tests
  • Increased writing volume and frequency
  • Students receive instant feedback
    on the same day from their peers
  • Students get to see how 2-3 other
    students approached the same passage and prompt
  • Peer editing happens while the
    writing itself is fresh in their minds
  • Students talk to each other about
    their approaches while they do their round-robin peer editing

            I’m so
excited about how well this works and hope to adapt it going forward.  

One-On-One Conferences Breed “Relational Accountability”

Chat, Discussion, Meeting, Talk, Conversation, SpeakingThe authors of 180 Days (see prior posts) emphasize the
importance of one-on-one conferences, and they present a structure for making
them happen. The emphasis appealed to me from the start because I try to
approach teaching as a ministry, an avenue for meeting others where they are in
a spirit of love and acceptance. What better way to minister than in a one-to-one
encounter? The structure appealed to me because I had noticed that I feel more effective
as a teacher when I help students on an individual basis, but only a select few
would take advantage of my office hours.
            The structure looks like this: give
students regular time in class for reading and writing. While they work, meet
with individuals. If it’s a reading conference, we talk about progress in a
book, strategies for comprehension, or book recommendations. If it’s a writing
conference, I might ask, “How can I support you? Is there a part of your essay
you’d like me to look at?”  I keep track
of the students I’ve met with so that I make sure to meet with all of them on a
rotating basis. I also take some quick notes about the meeting.
            I’ve found that even if I never go
back to the notes, the students feel more accountable to me in the context of a
relationship. I’ve started calling this “relational accountability.” For
example, I expect students to “have a book going” at all times, not to meet a
one-book-per-quarter quota. Asking them what they are reading and what page
they are on marvelously keeps them reading, without any grade attached! It
contributes to the tone I want to set that “we are readers.” Likewise, students
don’t put off their writing assignments because they know they will meet with
me to discuss their draft before the due date. (I admit, this hasn’t worked out
as ideally as it sounds, but I’m new at it and have a growth mindset.)
            Most students want to please the
teacher or at least avoid feeling embarrassed, but I’d like to think that relational
accountability transcends those motives. I am trying to take down the affective
filter (Krashen) and build up a relationship based on mutual respect. I want
students to view me as on their team. If nothing else, their few minutes with
me are a moment for them to feel noticed in their busy day.
            For that mindful moment, the student
is not one in a sea of 30; she is, simply, one. I tell myself to be present. I
study her face while she talks to me; I mean, I really look at her and take all of her in. I look into her eyes for
the small child inside. This works especially well with students whose
classroom behavior annoys me. I feel a transformative flood of empathy that refreshes
my relationship with them and renews my sense of purpose as a teacher. My hope
is that the students feel loved unconditionally. Even one such an encounter per
day is a win.